Showing posts with label deformity. Show all posts
Showing posts with label deformity. Show all posts

Saturday, April 18, 2009

THE ELEPHANT MAN part 3- Pain

J. HURT AS J. MERRICK

This will be the last entry about Proteus syndrome and The Elephant Man. Brace yourself: the entry is a little long and complicated because I'm still working through the diagnostic criteria chart from the Leslie Biesecker article from The European Journal of Human Genetics, mentioned in my April 2 post. Yes, I know that some people may be ready to go on to other things, like antiseptic practices in the late 1800s, or a description of how Spiderman could grow web-squirting organs in his palms. To them I say, "All In Good Time." I assume that most of you are willing to go the distance with David Lynch and J. Merrick. So here we go...


WHAT WOULD IT FEEL LIKE TO LIVE WITH PROTEUS SYNDROME?

Merrick's defomities probably threatened his life by crowding and compressing other tissues and structures in his body. It may be possible that his growths invaded other tissues, but that seems unlikely. Cancer is invasive. Benign tumors like fatty lipomas (more on these later) are not invasive, but when these growths and tumors reach a certain size, they can wreak a lot of havoc on the body.

Section of specific criteria for diagnosis of Proteus Syndrome

As we continue to compare David Lynch's J. Merrick to the Specific Criteria(1) for diagnosis of Proteus syndrome, I will also talk about the types of pain that it is likely Merrick was experiencing from his deformities. Because I'm a teacher specializing in pathology for massage therapists and I'm not a doctor (although I watch one on TV)(2), I'll be focussing mainly on pain Merrick may have felt from over-crowding tissues and musculoskeletal complications, although he certainly may have had many other sources of pain and discomfort.

Look at this picture of Merrick’s skeleton.

As we hear in the film, only his left arm and genitals escape deformity. We can see the bony hypertrophy(3) in Merrick’s right femur (thigh bone), upper extremity, and skull. Muscles attach to those bones and rub across them as they shorten and lengthen. Every time a muscle contracts, it presses into the bone beneath it. The pressure and movement generated by the muscle on the bone would be rubbing it "raw" continuously. Man, that's gotta hurt! The degeneration of his joints would make it severely painful to move those limbs and he would have extremely limited range of motion.

J. MERRICK

The deformity in his joints would cause uneven weight distribution, leading to inflammation and a painful arthritis. As if that weren't enough, those skin growths aren't as flexible as regular skin. They would be heavy, and restrict joint movement by not being able to stretch as Merrick lifted his arm or flexed his elbow. Come to think of it, the bulk of those growths could also get compressed as a joint moved, restricting motion. In the film Merrick limps and rarely uses his right arm and hand. When in public, he also covers his right arm and hand entirely, which means the task of make up would be easier.

RUB SOME SALT IN THOSE WOUNDS

In The Elephant Man, Merrick is beaten by the side show manager. Whether this really happened or not, the violence is off screen, but still very disturbing. I study stage combat as a hobby(4) and I appreciate effective violence. I found myself swept up in the scene and although I couldn't see it, I imagined poor Merrick with everything he'd gone through being caned by his manager. Merrick probably had chronic painful muscle spasm and joint pain from arthritis and postural deformity, he's horribly disfiguring by skin and connective tissue growths, and he's beaten! I envisioned that cane pummeling those cerebriform growths, which would have a pretty good blood supply, and the amount of bruising and pain those blows would cause. It makes my neck tense just to think about it.

Since Merrick was beaten in the film, the next logical question is: who would have spent time keeping Merrick's wounds clean if he weren't at the hospital? He couldn't do it himself. Even if those crevices on his back weren't injured, hygiene is extremely important for preventing skin infection and this was a time when hygienic practices weren't that popular.

Crevices in healthy skin are still susceptible to infection. Fungi love dark, warm, creases in the skin and Merrick certainly had a lot of them. Here's a normal armpit with a simple tinea (fungal) infection. ARMPIT

Even if Merrick's skin was intact, regular bathing and clean clothing would be imperative for maintaining skin health. It's not like he could just powder himself with Tinactin whenever there was a problem. Not only do we have pain, but itching with this scenario.


HEADACHE

J. MERRICK

J. HURT AS J. MERRICK

Merrick’s skull and facial deformities could be credited to “hyperostosis of the skull(6),” from Category B, above. The swellings on his forehead could be partially from bony growth but also from Category C's, “Dysregulated adipose tissue.” Adipose is fat and the swellings on the head could very likely be fatty tumors (lipomas).

Other diseases such as osteitis deformans (3), that cause enlargement of the skull often lead to severe headache because of the stress on the connective tissues surrounding the brain and possible pressure on the brain and cerebrospinal fluid. Merrick probably also had strain on his muscles from the weight of the head. This isn’t in the movie, but I would imagine that Merrick would be subject to some raging headaches caused by both his deformity and severe muscle tension.


BACKACHE

MERRICK'S SCOLIOSIS

Look at the curvature of Merrick's vertebral column in the skeleton photo. In the film we can also see this scoliosis(8) in the naked sillouette of Merrick, as Treves presents his case to his peers at the hospital. When we look at the photo of Merrick’s actual skeleton, it’s hard to tell if there is severe bony deformity causing his curvature, or if it’s a functional deformity as his vertebral column tries to compensate for the incredible stresses put on it from other deformed bones, plus the pounds of tumors distributed throughout his body. I would think this kind of condition would cause debilitating back pain.

In the movie, and reported elsewhere, Merrick had to sleep sitting up because the weight of his head was too great. In the film Merrick chooses suicide by sleeping supine as a normal person would(9). Think about the way you felt the last time you slept sitting up, then imagine having to do that every night.


AND HE’S A NICE GUY

Throughout the film, Merrick is a pure soul. He is grateful for Treve’s support, treats everyone with courtesy and kindness, and never complains about physical discomfort. Is that possible in a person? As a massage therapist, I’ve worked with clients in chronic, incurable, debilitating pain who had to live most of their lives tanked on pain killers and hooked up to TENS (transcutaneous electric nerve stimuation) machines(10). Some of them were complainers, and frankly, who could possibly blame them? Some of them were the most pleasant, giving, non-complaining people you’d ever hope to meet.

Could Joseph Merrick, a grossly deformed person, probably in constant chronic pain, living in a world without Tylenol or other effective non-addictive pain-killers really be that type of person? If I had to cope with his incurable condition, I’d probably get super drunk all the time, then eventually go on a killing spree and throw myself out a window.


WHAT COULD I, CLAUDIUS POSSIBLY HAVE TO DO WITH THE ELEPHANT MAN?

Merrick has a speech impediment from his facial deformities. Did he have the “parotid monomorphic adenoma(11)” from Category B, number 3b? John Hurt

does a rather wet and drippy sounding voice for Merrick, which I would normally find admirable. But as I was watching the movie, I kept thinking of Derek Jacobi in I, Claudius. I couldn’t figure out why Hurt would sound so much like Jacobi until my husband pointed out that Hurt played Caligula in the same BBC production from 1978. Hurt's version of Jacobi's version of the Emperor Claudius' speech impediment was a little distracting. If encourage you to watch The Elephant Man then watch a later episode of I, Claudius and you will know what I'm talking about.

HURT AS CALIGULA (left)

JACOBI AS CLAUDIUS (right)

If you made it through this entire post in one sitting, you have some highly developed attention endurance skills! This one got away from me. But that’s it for Merrick and Proteus syndrome. Next time I’ll do a little Elephant Man mop up (ha!) about the surgery scene at the top of the film and antiseptic practices in the days of surgeon Fredrick Treves.

1. See post for April 2.

2. Yes, this is the second time I've used that joke, but it's good to keep reminding people that I'm not a doctor and can't do what they do.

3. Over-growth of bone

4. For great information about stage combat classes go to www.safd.org, or if you're in New York, try Joe Travers and Swordplay workshops.

5. Tinea is a common type fungus that is responsible for athletes foot, ringworm, nail fungal infections, etc.

6. Increased bone growth.

7. Osteitis deformans is a chronic condition usually affecting men in middle/late age in which the bones of the head, trunk, and legs become enlarged. The bone will also weaken as it grows, leading to deformities, pain, arthritis, and fractures. The condition is occasionally called "Tight Hat Disease," because your hat would get tighter as your skull got larger. Another popular name for this condition is Paget's disease, named after Sir James Paget.

8. Scoliosis is a lateral curvature of the spine, often accompanied by a rotation. The condition can vary greatly, and can be caused by lots and lots of things including having a head that weighs three times what it should.

9. I have read two different descriptions of how Merrick's supine position killed him. Wikipedia currently says that he dislocated his neck this way. Other sources say that he crushed his trachea, or if he didn't crush it, compressed it to the point which he couldn't breathe. The film doesn't get into the details here.

10. The TENS machine is an apparatus that applies an electrical current through the skin of a patient. This current helps to control pain. Here's a link to Wikipedia, if you're curious. Be warned that the article still needs some work.

11. A parotid monomorphic adenoma is a type of tumor of a salivary gland.

Monday, March 30, 2009

Horrible Things Happen To Wonderful People

FACE/OFF AFTERMATH
I've been thinking often about the people who receive face transplants, which is understandable since I've been writing about Face/Off these last couple of weeks. The aspect of face transplants that I didn't bring up is a discussion of why anyone might need a transplant in the first place. I'm not going to get into this in great detail, but bear with me since this entry explains my rationale for selecting the next film.

Face transplants carry the risk of infection and/or rejection, as do all transplant surgeries. As I said in my last Face/Off entry, rejection can be immediate, or occur days, weeks, months, or years later even if the patient is on anti-rejection drugs. Those drugs also increase a person's risk of developing certain types of cancers. a person receiving this type of transplant must be prepared to risk their life, and take the risk of having to live without a face at all, if the transplant is rejected.

LIVING WITH DEFORMITY
Who is willing to risk everything on this type of surgery? Someone with incapacitating deformity, that's who. Many of the people who qualify for face transplants are so horribly disfigured that they can't see, talk, smell, or eat properly. What is the quality of life of a person so mutilated or deformed that they have very little, or no, social interactions at all?

This is a link to the site of Jacqueline Saburido, a woman who was severely burned in a car accident. She would likely be a candidate for transplant surgery. Her image puts things in perspective. You are not looking at movie make up when you see her picture. You see her face. Her story is tragic. Jacqueline Saburido

If I had a severe facial disfigurement, how could I live without care free, social physical contact? I'm average looking. I blend in with the crowd. no one stares in shock at my appearance, or is afraid to touch me, or assumes I am mentally retarded due to a speech, hearing, or visual impairment.

I'm not an ethicist or philosopher so I'm going to leave the big investigation of the emotional toll of living with deformity to someone else. That said, I find that if I can ground my intellect in the study of a physical condition, it allows my emotional self to get to work empathizing and putting the unimaginable into some kind of context. Here's a challenge for me as I write this blog - How do I describe severe deformity and still show enthusiasm for the topic and not come off looking like a totally callous jerk? The human body is really amazing and studying even really bad stuff can be (dare I say it?) fun. It's easier to get excited about topics that will kill you, since we all die. But we're not all going to come down with a horrible disfigurement. I face this type of issue when I teach my pathology class, but there I can have a conversation with the students and they can help shape the lesson.

IS IT OKAY TO BE ENTERTAINED BY THE STUDY OF DEFORMITY?
This blog's tagline has a quote on it from Young Frankenstein, so I think you can see my dilemma. i want to talk about movies that are inspired by actual horrible events. I want to be respectful, but I also want to entertain. I'm not quite sure how to address this issue, but I'm going to try to give us some emotional distance from the condition under discussion. We will look at a pathology that is so rare, there is no chance that we or anyone we know will develop it(1). By examining deformity through the context of a movie we can check out make up, acting, and narrative, in addition to exploring the actual condition itself. That should help a little.

What is it like to live with such a Horrible disfigurement? I can't imagine, and I think I have a pretty active imagination. To explore these issues I did what I often do, I read and watched movies. I mad some personal discoveries, and then found myself on the doorstep of David Lynch's 1980 film, The Elephant Man.

I'll leave the script analysis to experts like Todd Alcott, but I do find parts of this film provocative, well presented, and moving. When the elephant man, John Merrick(2) (played by John Hurt) makes his first visit to the home of surgeon Frederick Treves (Anthony Hopkins) and his wife (Hannah Gordon), they sit on a love seat and look at family photos. The wife starts crying, overwhelmed by Merrick's condition, and then I started crying! I cried twice! How embarrassing! I rarely cry at a film. Lynch and the cast really humanize this guy.

It is easy to be flippant talking about face transplants when discussing a film like Face/Off because nothing is at stake. Movies that are "based on a true story" are hard for me to watch because someone was actually subjected to the events of the film. Lynch did a great job with The Elephant Man, but the film would affect me in a very different way if Merrick were a fictitious character.

There is still debate about what caused Merrick's deformity. That's where we'll start next time.

1. There is no chance of adults suddenly developing this congenital condition, and it is so rare that there are only a few hundred people in the entire world who have it. The condition usually manifests between the ages of 6-18 months.
2. According to a couple of sources including Wikipedia, the film mistakenly names Joseph Merrick as John Merrick. Long story. We'll call him John to reduce confusion, I hope.